Showing posts with label Rock n Roll Hall of Fame. Show all posts
Showing posts with label Rock n Roll Hall of Fame. Show all posts

Sunday, October 2, 2011

Top 200 Albums of All Time: Pink Floyd

Dark Side of the Moon: Pink Floyd (1973)
Pink Floyd entered into their most creative period with Dark Side of the Moon. The album expanded upon musical and thematic excursions and ideas from earlier works. Following Dark Side’s release, Pink Floyd entered into a “super league.” The record examines greed, the passage of time, and man’s inhumanity toward man. It’s dark, grim, and struck a chord with an audience living in a dark, grim time. The themes explored by Pink Floyd remain relevant 40 years later.

Key Tracks:
Time
The Great Gig in the Sky
Money
Us and Them

Wish You Were Here- Pink Floyd (1975)
The band’s success with Dark Side of the Moon directly inspired Wish You Were Here. The album begins and ends with a sorrowful ode to the band’s founder Syd Barrett, who experienced a mental breakdown. The second and third tracks deal directly with rock star fame and corporate demands. The title track is another nod to Barrett and the record’s most iconic song. David Gilmour played “Wish You Were Here” at Pink Floyd’s induction into the Rock n Roll Hall of Fame.

Animals: Pink Floyd (1977)
Roger Waters took more and more control of the band and Animals reflects his political and worldview. The album provides a scathing critique of the socio-economic and political situation in 1977 Britain. In addition to social criticism, Floyd changed its musical sound as well. Interestingly, the conditions in the western world that Waters railed against helped spawn the punk movement around the same time.

The Wall: Pink Floyd (1979)
Roger Waters tired of the fans at their live shows. He thought the distance between fans and the band so acute, that he conceived building a wall. The resulting album is a rock opera in the style of The Who’s Tommy. The main character, Pink, is based on Waters himself. Pink’s experiences include the loss of his father in World War II, abusive school teachers, an overprotective mother, and isolation. Eventually, Pink fantasizes that he is a fascist rock star playing at Nazi rallies. His guilt forces him to face his demons and Pink places himself on trial. The resulting tour included a 40 foot wall built between fans and the band. During this period, founding member Richard Wright left the band, but toured to support the album as a salaried musician. The other three members paid for the tour out-of-pocket. As a result, Wright was the only guy who made money.

Key Tracks:
Another Brick in the Wall
Young Lust
Hey You
Comfortably Numb
Run Like Hell
The Trial

Wednesday, September 29, 2010

2011 Rock n Roll Hall of Fame Nominees

After viewing the list of nominees, a number of people have asked "who?" Once again, many worthy candidates have not even been nominated. Jan Wenner needs to go. With that said, here is the list of 2011 Rock Hall nominees...

Alice Cooper: Alice should have been inducted years ago. He pioneered shock rock and theatrical stage shows. Cooper's style has incorporated art rock, glam rock, metal, pop, new wave, industrial, and hard rock. VH 1 named him the 20th most important hard rock artist. Cooper's most important work was 1975's Welcome to My Nightmare.

The Beastie Boys: The Beasties were the first white rap/hip hop act with credibility. They incorporated hard core, punk, rap, hip hop, rock, and alternative into their music. Although not technically rock, other non-rock acts are in the Rock n Roll Hall of Fame. With Run DMC and Grandmaster Flash already in the hall, the Beasties should probably be inducted as well.

Bon Jovi: Bon Jovi separated themselves from their hair metal contemporaries with Slippery When Wet and New Jersey. When hair metal died, Bon Jovi survived and changed their sound. They are still selling millions of records and have even dabbled in country music. Considering their longevity and success, they belong in the hall.

Chic: Chic was a 70s disco band. They had a series of commercial hits including "Le Freak" and "Good Times." Unlike Abba, their music has not stood up well. Also, their music is uber-plastic. They don't belong.

Neil Diamond: Neil Diamond began his career as a songwriter in the famous Brill Building. The Monkeys covered "I'm a Believer" and "A Little Bit of Me, A Little Bit of You." As a solo artist, Diamond recorded "Girl, You'll Be a Woman Soon" and "Solitary Man." He became a superstar in the seventies and developed a large loyal following. In the eighties, he continued to record iconic hits such as "America" and "Heartlight." As a result of his longevity, talent, and success, Neil Diamond belongs in the Rock Hall.

Donovan: Donovan blended folk with jazz and psychedelia. His hits include "Sunshine Superman" and "Atlantis." He's another artist that should have been inducted years ago.

Dr. John: Dr. John is a jazz/blues legend. His music has crossed over into Zydeco and rock n roll. If this was simply a hall for Rock, then Dr. John would not belong. However, with the expansion to include everything, he belongs.

J. Geils Band: This is one of the great American rock bands. It's a crime that they are not in yet.

LL Cool J: Even with the expansion of rock's definition for the hall, LL does not belong in.

Darlene Love: Who? You've heard her, but don't know it. Remember "He's a Rebel"? She did not record under her own name, but she sang on some major hits including "Da Doo Ron Ron". She's been overlooked, but is nominated for the second straight year.

Laura Nyro: Her work has been covered by the Fifth Dimension, Three Dog Night, and Peter, Paul, and Mary. She probably belongs in the hall under another category.

Donna Summer: Back to disco...she did combine rock with disco.

Joe Tex: Joe Tex was a popular soul singer in the sixties and seventies. He pioneered rap music by speaking over his music. As a result, he is the forefather of modern music.

Tom Waits: Waits work is best known through covers. Rod Stewart did "Downbound Train" and Bruce Springsteen covered "Jersey Girl." Waits is extremely talented and combines roots, blues, and experimental into his own style. His characters are usually seedy and trapped in some bizarre circumstance.

Chuck Willis: Willis died in 1958 at the age of 30. He was known as "the King of Stroll" and has been covered by Eric Clapton, Roy Orbison, Otis Redding, Buddy Holly, Jerry Garcia, and Elvis Presley. His main hit was "The Stroll." If Percy Sledge is in for one hit, then perhaps Willis should be as well.

Monday, April 26, 2010

Rock and Roll Hall of Fame Worthy Acts Part IV

Here is the final installment.

The Smiths


Pro: Unique, massively popular, influential, there is even a great feud

Con: 1980s band

Steppenwolf

Pro: Hitmakers, generation defining song in “Born to be Wild”

Con: Canadian, Born to be Wild is a bit cliché

Sting

Pro: Incorporates Jazz and other influences, tons of hits, he is Sting

Con: Influence is with the Police, at times pop and at times jazz rock, Already in with the Police

The Stray Cats

Pro: Brian Setzer is a great guitarist, unique, influence, important songs, more than a throwback act

Con: From the 80s, not top of mind

Donna Summer

Pro: Mixed rock with disco

Con: She’s the disco queen

Stevie Ray Vaughn

Pro: One of the greatest guitarists ever

Con: Died in 1989

Hank Williams Jr.

Pro: Influential in rock circles, crossover act

Con: Country star

Yes

Pro: Archetype Prog band, survived many changes, blended classical music into rock

Con: They are a prog band, not a lot of hits

Warren Zevon

Pro: No one sounded or wrote like Warren Zevon, influenced and worked with Bruce Springsteen, David Letterman, and REM, and influenced Kid Rock among others, Great writer

Con: His stuff might be too out there

Sunday, April 25, 2010

Rock and Roll Hall of Fame Worthy Acts Part III

Megadeth

Pro: Dave Mustaine is a great guitarist, original, songs with meaning, great songs

Con: They are not named Metallica; Metal acts get no respect; their name

Motley Crue

Pro: The most Rock n Roll act since the Stones, lots of hits, popularized the power ballad; The Rock Hall was made in part for acts like this.

Con: Considered a hair band, from the 80s, popularized the power ballad

Motorhead

Pro: Lemmy, Ace of Spades

Con: Not top of mind; Metal acts get no respect

Willie Nelson

Pro: Crossover act, Farm Aid, bad ass

Con: Country act

Ted Nugent

Pro: Top act of 1976, great guitarist, Motor City Madman, popular into the 90s and even today

Con: Conservative, NRA guy

Ozzy Osbourne

Pro: It’s Ozzy; Still influential

Con: The Osbournes TV Show

Robert Palmer

Pro: His influence is less musical and more cultural, Rock writer, Influence through video,

Con: Popular Songs sounded alike

Robert Plant

Pro: Nothing groundbreaking until Allison Krause

Con: His groundbreaking work post-Zep was in bluegrass/country

The Replacements

Pro: Critical darlings, representative of a genre, Alternative music leaders

Con: REM is in, popularity

Neil Sedaka

Pro: Major songwriter in 50s and 60s, solid solo career

Con: Legacy blown away by British Invasion

Ravi Shankar

Pro: Influenced Beatles, helped bring Eastern music to pop/rock

Con: Sitar does not fire people’s juice

Saturday, April 24, 2010

Rock and Roll Worthy Acts Part II

Hall & Oates

Pro: White guys that had soul, very successful duo, tons of hits, influential in hip hop

Con: Cheese factor, from the 80s, more influential outside rock, may be too poppy

Richie Havens

Pro: Woodstock, Intensity, great live act

Con: Not really a rock artist, known for his covers

Heart

Pro: First girl hard rock band, influential, Ann Wilson’s voice

Con: They’re girls

Iron Maiden

Pro: One of the most important metal bands, showed metal songs could mean something

Con: There is a thin line between cheese and cool; also as a metal band, they don’t get respect

Jan & Dean

Pro: Popular act with classic songs, they pre-dated the Beach Boys

Con: People confuse them with the Beach Boys

Waylon Jennings

Pro: Like Haggard and Cash, more Rock n Roll than most Rock n Rollers, Buddy Holly’s bass player, was rock n roll during 50s, originator of outlaw music

Con: Mostly country which overshadowed his rock

Jethro Tull

Pro: Unique as they come

Con: Jazz flute’s for sissy boys

Judas Priest

Pro: See Maiden, plus Rob Halford’s voice is the best, the band’s story is awesome

Con: See Maiden

Ben E. King

Pro: Percy Sledge is in

Con: Seen as one hit wonder

Carol King

Pro: Great songwriter, James Taylor is in

Con: Not true rock, but came out of that singer/songwriter tradition

KISS

Pro: Lots of hits, Unique persona, known for their live shows

Con: Don’t sing about anything important, reputation as weak musicians, cheese factor, too capitalist for some voters

Kraftwerk

Pro: Unique and influential

Con: German!

Kris Kristofferson

Pro: Great songwriter (Me and Bobby McGee and Sunday Morning Coming Down among others)

Con: Seen as country

The Marvelettes

Pro: Motown’s first successful girl group, “Please Mr. Postman”, 23 Hot 100 Singles (9 in the top 10)

Con: There is no con. The voters and/or selection board are dumb

MC5

Pro: Hugely influential, one of the first punk bands, incorporated many styles, representative of the counterculture

Con: See the Marvellettes, may be too raw

Thursday, April 22, 2010

More Rock n Roll Hall of Fame Worthy Acts

A month or so back, I listed the Top 10 most deserving acts not in the Rock n Roll Hall of Fame (See: http://cicero390.blogspot.com/2010/03/rock-n-roll-hall-of-fame-generally-does.html).  Some folks grumbled about missing acts...so, here is the first installment of acts that could make an argument for induction. I listed the pros and cons for each. They are in alphabetical order.

This is just the first installment...more to follow later.

Joan Baez


Pro: At the forefront of 60s music, iconic Woodstock moments, master interpreter of music

Con: Folk artist, known for doing other people’s work.

Bon Jovi

Pro: Best of the 80s hard rock bands and the hall likes to include one of every genre, tons of hits and sales, ability to adapt, still making hits today.

Con: They came from the 80s, not many people list them as an influence

Cheap Trick

Pro: Influential, original

Con: Not a ton of hits, so not top of mind

Chubby Checker

Pro: Ushered in a dance craze, “The Twist” and its sequel song, did branch out to other genres

Con: Typecast by The Twist

Phil Collins

Pro: Crap load of hits, influential, great drummer

Con: Lots of love songs, might be too poppy, already in with Genesis

The Cure

Pro: Unique, Influential

Con: Ironically, may not be commercial enough, so not top of mind

Dick Dale

Pro: King of Surf Guitar, At forefront of the genre, Experimented with reverb and other technical aspects of guitar

Con: Disappeared for awhile, genre was very short-lived

Def Leppard

Pro: Along with Bon Jovi, best representative of 80s hard rock, massive success, biggest act of the 80s other than Michael Jackson, unique live shows in the round, influence can be heard in other acts today

Con: Lumped with hair metal, a lot of their stuff sounds alike

Neil Diamond

Pro: Prolific Brill Building song writer, other acts recorded his songs before he branched out, he’s immensely popular and has oodles of hits.

Con: There is a cheese factor and he is considered A.C. as opposed to rock.

Dire Straits

Pro: Mark Knofler, great guitar work, solid music, huge in the 80s

Con: Not top of mind

The Dominoes

Pro: Important Doo wop group from 50s

Con: Important Doo wop group from the 50s

Duran Duran

Pro: Massively popular 80s band; great representatives of that post punk New Wave sound

Con: 1980s; seen as pretty boys

Peter Gabriel

Pro: Unique and popular

Con: Weird, already in with Genesis

Sammy Hagar

Pro: Classic rocker representing multiple genres

Con: Already in with VH, influence outside VH is probably minimal

Merle Haggard

Pro: He is more Rock n Roll than most Rock artists, Cash is in

Con: He’s country with little to no crossover

Sunday, March 14, 2010

Top 10 Acts NOT in the Rock n Roll Hall of Fame

The Rock n Roll Hall of Fame generally does a good job inducting acts. However, it does an even better job ignoring acts. Here are the Top 10 acts not already in the Hall of Fame:

The Clovers: They should have been inducted during the eighties. The Clovers formed in 1946 and were one of the first major vocal groups. They were the mold from which other groups modeled themselves. Their biggest hit, “Love Potion No. 9” came in 1959. It’s likely the voters don’t realize their history beyond that one song.

Your Cash Ain't Nothin' but Trash:
http://www.youtube.com/watch?v=ddnDuR8QG-s

Alice Cooper: Cooper was a diverse artist known for his stage shows. He was one of the first to create a rock n roll villain figure and his stage shows were adventures. Cooper’s theatrics and body of work deserve inclusion.

Welcome to My Nightmare:

http://www.youtube.com/watch?v=iQE0pfBAYQ8

Deep Purple: Deep Purple is one of the most influential groups ever. They broke with “Hush” which bordered on psychedelic and created perhaps the greatest riff of all time with “Smoke on the Water.” This is a seminal act. Perhaps the billion lineup changes have hurt the band because they did not evolve with a set lineup operating on a single trajectory ala the Rolling Stones or Metallica.

Smoke on the Water (Live with all their lead singers):

http://www.youtube.com/watch?v=2WX_4FNoto4


Emerson, Lake, and Palmer: They had a very short-lived mainstream period which undercuts their viability. Additionally, the voters don’t seem to know what to do with Prog rock. It took several tries for Pink Floyd and years for Genesis to make the hall. If the Hall decides to really look at the genre, then ELP (and Rush) will be quick inductees.

Lucky Man:

http://www.youtube.com/watch?v=lRFpXPu_7wE

Darlene Love: I have written about her before. Love’s main work was not done under her own name. They need another category to get Darlene elected.

He's a Rebel:

http://www.youtube.com/watch?v=LOU_uefqeXg

Red Hot Chili Peppers: They have not been eligible for long, so it should not be long before they make it. The early RHCP were innovative and different. They have several seminal albums and a large body of hits. On the other hand, many of their recent hits, all sound alike.

Under the Bridge:

http://www.youtube.com/watch?v=lwlogyj7nFE

Rush: Where to start? They are immensely popular, but the band’s personality (mostly) avoids conflict and publicity. So, people forget them. Their musicianship is second to none and Neil Peart is one of the top three drummers of all time (Moon and Bonham). It is a crime Rush is not in the Hall of Fame. Maybe they don’t like Canadians.

Tom Sawyer:

http://www.youtube.com/watch?v=U7DFsBcVMDA

Ringo Starr: John, Paul, and George are all in as solo artists. Ringo had as many top 10 hits in the seventies as John and George combined. He's had as many #1 hits as John. Ringo probably suffers from his goofy personality and people don’t remember his resume.

It Don't Come Easy:

http://www.youtube.com/watch?v=eUbntU2N7xY

Tina Turner: Tina is the Queen of Rock n Roll. She is in as part of Ike and Tina Turner, but belongs in as a solo artist which began in the seventies. Her story is compelling, her comeback is legendary, she is well respected and loved, and her hits are still played on the radio today. What gives?

We Don't Need Another Hero:

http://www.youtube.com/watch?v=F1FPK5-Rm38

Mary Wells: Wells was Motown’s first solo star. She helped break Motown nationally and crossed racial boundaries. Some consider Mary Wells the originator of the “Motown Sound.“ Her signature hit, “My Guy” is a classic. Unfortunately, she died of cancer in 1992. As a result, she has been forgotten.

My Guy:

http://www.youtube.com/watch?v=wJ-qsGe96cw

Sunday, December 20, 2009

Rock n Roll Hall of Fame: Who didn't get in

Now for the acts that did not make it this year and will have to wait for another opportunity.

The Chantels: They were the first real “girl group” to emerge and set the sound of the early 60s. However, they did not last very long and other, more famous girl groups are already enshrined.

Kiss: They scored many hits, but most of their songs lack substance. Musically, they did not provide anything earth shattering, but their stage shows are legendary. They are overly commercial, yet have a very loyal following. They represent cheese at its finest, yet are unique. These contradictions keep Kiss from being elected. On one hand, they are very rock n roll while on the other hand, they are processed cheese.

LL Cool J: With Grandmaster Flash and Run DMC in the hall, it is surprising LL Cool J did not make it. He was groundbreaking and showed hip hop was not a fad by being a consistent big seller. He also did not follow trends and did his own thing.

Darlene Love: Love belongs in the Hall, but falls in between the cracks because she rarely got credit for her work. She scored hits, but no one knew her name because producers always attributed her work under assumed names or for others.

Laura Nyro: She is well known for writing songs for others. Perhaps she belongs in another category.

Red Hot Chili Peppers: I am shocked they did not make it. They were completely original for rock, good musicians, have a lot of hits, and have personalities which fit nicely into the Hall.

Donna Summer: Another one I thought would make it. Since they have opened the door to hip hop, the queen of disco should go in. Plus, she did mix disco with rock at times which does make her unique.

Tuesday, December 15, 2009

2010 Rock n Roll Hall of Fame Inductees

Here are the 2010 Rock n Roll Hall of Fame inductees. The top 5 vote getters are elected each year. Of course, there has been rumors of vote fraud by one Jan Wenner, but that is just alleged.

and now the Class of 2010:

Abba: I don't get this one and neither does Bjorn Ulvaeus of Abba. Oh well. They are best known for their disco hit, "Dancing Queen." Amazing the region that brought us the 9th century Viking invasions also gave us Abba.

The Stooges: The Stooges were punk before punk. Not sure why it took so long for them to get in. Madonna may have helped by asking them to perform at her induction. Their signature song was "I Wanna Be Your Dog."

Jimmy Cliff: Cliff is one of the great Reggae artists. His signature song is probably "Many Rivers to Cross." Although, his best known song is a cover of "I Can See Clearly Now."

The Hollies: They came with the British Invasion and should have been inducted 20 years ago. They are best known for their unique harmonies. Their hits include "Bus Stop" and "Carrie Anne."

Genesis: Genesis began as Prog Rock and evolved into a pop band. They survived the departure of Peter Gabriel by replacing him with Phil Collins. Guitarist Steve Hackett's guitar style predated Eddie Van Halen and they influenced acts such as Dream Theater. In the early days, The Lamb Lies Down on Broadway stands out. During the Collins era, they hit their zenith with the Invisible Touch album. They should have been inducted long ago.

Wednesday, November 4, 2009

#1 The Beatles

The Beatles formed in Liverpool, England in 1960. The band moved from its working class roots to become the most popular and influential group in history. In 1957, John Lennon formed The Quarrymen. Paul McCartney and George Harrison joined soon thereafter. Stuart Sutcliffe and Colin Hanton rounded out the band. Sutcliffe would die of a cerebral hemorrage in 1962. It was Sutcliffe that suggested “Beetles” as a name for the group. Drummer Colin Hanton quickly left the band and was replaced by Pete Best.

The Beatles earned their chops touring Hamburg, Germany. They began earning a name for themselves and soon came to the attention of Brian Epstein. Epstein became their manager in January, 1962. Their new manager contacted producer George Martin. Martin took an interest in the band, but did not like the drummer. The Beatles fired Pete Best and replaced him with Ringo Starr.

In 1963, they experienced modest success in England. In 1964, the world exploded. No English band had experienced success in the United States. The Beatles debuted in the states and Beatlemania was born. People went nuts. Girls would faint and soil themselves. The record companies began searching for other British groups.

Musically, the Beatles represented a British reworking of American Rock n Roll. Rock had been shoved aside due to scandals in the late fifties. With the exception of the Surf Craze, popular music had no edge. Lyrically, the Beatles were nothing extraordinary until they met Bob Dylan. Dylan dug the Beatles sound, but was critical of their lyrics. The lyrics did not say anything. John Lennon took the advice to heart and began writing more personal songs.

After the Dylan meeting, the Beatles work improved dramatically. Rubber Soul and Revolver represent a fundamental reworking of rock music. Meanwhile, the band tired of touring. They could not hear each other on stage and that bothered them. As a result, they stopped touring. This, combined with their popularity, gave them the freedom to do whatever they wanted.
Creativity and freedom led to Sgt Peppers. The band experimented and created a masterpiece. The album changed the rules of the game and other acts scrambled to keep up. It drove Beach Boy Brian Wilson over the edge. The Rolling Stones countered with their own take on the album with Their Satanic Majesties Request. One month after Sgt Peppers’ release, the Beatles performed “All You Need Is Love” for a worldwide satellite audience. It was one of the first satellite feeds to go around the world.

After the worldwide performance, they went to India to investigate the mysteries of the Maharishi Mahesh Yogi and transcendental meditation. Yogi proved a fraud and the band was disenchanted. At this point, Paul decided to do another movie. Their previous movies were well received. However, The Magical Mystery Tour was perceived as the first real chink in the Beatles armor. The unscripted movie came across poorly to audiences. It lacked direction and most T.V. sets were black and white which meant the colorful film lost its impact.

The Beatles continued to record. They followed the film with Yellow Submarine, The White Album, Let It Be, and Abbey Road. By the end, tensions within the group tore it apart. Many blamed John Lennon’s partner Yoko Ono. However, the real cause appears to be financial. After the Brian Epstein died, the Beatles took control of their finances and had no idea what they were doing. Eventually, they hired Allen Klein. Klein was a shady character and Mick Jagger warned Paul McCartney not to hire him. Paul advocated another candidate, but John, George, and Ringo lined up against Paul. The band eventually fell apart, Paul announced he was going solo and lawsuits followed.

The Beatles reunited in 1995 for the Anthology Project. They released a couple of new songs. Unfortunately, John Lennon was murdered in 1980 amidst rumors of a reunion. George would pass in 2002 of cancer. Paul and Ringo performed at The Concert for George. Ringo continues to record. Paul had a smash hit album in 2007 and scored some minor hits in the 2000s. The Beatles are in Rock n Roll Hall of Fame as a group and John, Paul, and George are in the Hall as solo artists.

Rock n Roll Moment: John claimed the Beatles were more popular than Jesus. He was right.

Essential Beatles:
Please Please Me (1963)
With the Beatles (1963)
A Hard Day’s Night (1964)
Rubber Soul (1965)
Revolver (1966)
Sgt Peppers (1967)
The White Album (1968)
Abbey Road (1969)
Let it Be (1970)

The Beatles’ Top 10:
Please Please Me
I Want to Hold Your Hand
A Hard Day’s Night
Can’t Buy Me Love
Yesterday
Norwegian Wood
Eleanor Rigby
A Day in the Life
Strawberry Fields
Something
Here Comes the Sun

Rock Countdown: Complete List

1. The Beatles
2. Elvis Presley
3. Bob Dylan
4. The Rolling Stones
5. The Who
6. Led Zeppelin
7. Pink Floyd
8. Bruce Springsteen and the E Street Band
9. Chuck Berry
10. Buddy Holly

11. Jimy Hendrix
12. The Clash
13. U2
14. Little Richard
15. Jerry Lee Lewis
16. James Brown
17 The Beach Boys
18. Stevie Wonder
19. Diana Ross and The Supremes
20. The Eagles

21. John Lennon
22. Eric Clapton
23. David Bowie
24. Smokey Robinson and the Miracles
25. Johnny Cash
26. The Police
27. Queen
28. Tina Turner
29. The Doors
30. AC/DC

31. Bo Diddley
32. B.B. King
33. Ray Charles
34. Roy Orbison
35. Neil Young
36. Cream
37. Simon and Garfunkel
38. Velvet Underground
39. Aretha Franklin
40. Elton John

41. Black Sabbath
42. Nirvana
43. Metallica
44. Fleetwood Mac
45. The Talking Heads
46. Janis Joplin
47. The Ramones
48. The Kinks
49. The Byrds
50. Elvis Costello

51. The Yardbirds
52. George Harrison
53. Tom Petty and the Heartbreakers
54. Billy Joel
55. Paul McCartney
56. Paul Simon
57. CSNY
58. REM
59. Radiohead
60. Prince

61. The Sex Pistols
62. Aerosmith
63. Pearl Jam
64. Guns n Roses
65. Sly and the Family Stone
66. Bob Marley
67. Sam Cooke
68. The Grateful Dead
69. Wilson Pickett
70. Jeff Beck

71. Steely Dan
72. CCR
73. Blondie
74. Ozzy Osbourne
75. Rush
76. Bill Haley and The Comets
77. The Animals
78. Fats Domino
79. Dion
80. Genesis

81. Bon Jovi
82. Carlos Santana
83. ZZ Top
84. The Mamas and the Papas
85. Lynyrd Skynrd
86. Allman Brothers Band
87. Dire Straits
88. Judas Priest
89. Coldplay
90. Green Day

91. KISS
92. Smashing Pumpkins
93. Rage Against The Machine
94. Soundgarden
95. Motley Crue
96. Def Leppard
97. Weezer
98. Tool
99. Foo Fighters
100. Ringo

Sunday, November 1, 2009

#2 Elvis Presley

Elvis is the King of Rock n Roll. He is the American icon. Elvis combined rockabilly, country, and R&B to create his own sound. He was extremely controversial at first. People were uncomfortable with the musical “race mixing.” Additionally, his sexually charged shows further rankled critics. Elvis also used a back beat to change the direction of music. Some consider “That’s All Right” the first rock song. However, “Hound Dog” was the major cultural milestone. It truly marked rock’s emergence. Also, Elvis was one of the Young Turks of the fifties that defined rebellion, but had nothing to rebel against.

The fifties generation can remember where they were when Elvis broke, when he was on Steve Allen, or when he was on Ed Sullivan. They were the ones that attended and watched his comeback special in ‘68 while in their thirties. Elvis’ voice is amongst the most versatile in rock music. His music covered every possible genre and he even won Grammy Awards for his Gospel work. At his height, Elvis dominated like no other act in Rock History with the exception of the Beatles. After an amazing run, he was drafted into the army.

After returning from the service, Elvis scored some hits, but he spent most of his time making bad movies. After several years away, Elvis made a comeback special in 1968. The King was back. Over a billion people watched his Hawaiian Special in 1973. By the late seventies, he was a shell of his former self. He died in 1977 and has been hanging out at Burger Kings ever since. Interestingly, Elvis scored a #1 in the early 2000s with a remixed version of "A Little Less Conversation."

Rock n Roll Moment: Elvis ran out onto a tarmac, flashed his DEA badge, and stopped a plane taxiing on the runway.

Essential Elvis:
Elvis Presley (1956)
Elvis (1956)
Elvis (1968)
The Sun Sessions (1976)

Elvis’ Top 10:
That’s All Right
Heartbreak Hotel
Don’t Be Cruel
Hound Dog
Love Me Tender
All Shook Up
Jailhouse Rock
A Little Less Conversation
Can’t Help Falling
Suspicious Minds

Tuesday, October 27, 2009

#3 Bob Dylan

Bob Dylan is America’s greatest songwriter. He broke in the early sixties and is considered the chronicler of those times. He became known for his Anti-War and Pro-Civil Rights sentiments. He defined the period. However, Dylan was more than the folk counterculture poet laureate. He expanded his music and even committed the cardinal sin by plugging in. Some folk music fans refused to forgive this sacrilege.

Dylan refused to be pigeonholed and typecast as a folk artist. On “Maggie’s Farm”, he declared his independence from the folk community. Dylan has done Country, Gospel, Jazz, and just released a Christmas Album. Bob Dylan has released 33 albums, won a gazillion awards, and even got the Beatles to expand their music and awareness.

Rock n Roll Moment: Dylan plugged in at the Newport Folk Festival. He was booed and left the stage. The Folk Music Community went nuts. One fellow tried to cut the cords running to the amps.

Essential Dylan:
The Freewheelin’ Bob Dylan (1963)
Another Side of Bob Dylan (1964)
Bring it all Back Home (1965)
Highway 61 Revisited (1965)
Blonde on Blonde (1966)
John Wesley Harding (1967)
Nashville Skyline (1969)
Pat Garrett and Billy the Kid (1973)
Blood on the Tracks (1975)
The Basement Tapes (1975)
Modern Times (2006)

Dylan’s Top 10:
Blowin’ in the Wind
Maggie’s Farm
The Times They Are a-Changin’
Subterranean Homesick Blues
Like a Rolling Stone
Positively 4th Street
Lay Lady Lay
Rainy Day Women #12 and #35
Just Like a Woman
Tangled Up in Blue

Sunday, October 25, 2009

#4 The Rolling Stones

The Stones formed in 1962 and are on the verge of celebrating their 50th anniversary. The original band consisted of Mick Jagger, Keith Richards, Charlie Watts, Bill Wyman, Brian Jones, and Ian Stewart. Keyboardist Stewart was quickly dumped because he did not fit the “teen idol” image. He did stay on as road manager and session keyboardist until his death in 1985.

The band’s main influences came from the blues world. Eventually, they came to write their own stuff which was heavily influenced by that genre. When they broke, they used that background to become the anti-Beatles. While the Beatles came off as nice clean cut gents, the Stones were dark and dangerous. Mick Jagger cultivated this image. While the Beatles sang of love, the Stones expressed “Sympathy for the Devil.” This image was reinforced at their Woodstock West concert at Altamont in 1969. The Hell’s Angels provided security and stabbed a fan to death.

Mick and Keith became the band’s main creative force. As they became more popular, they edged the band’s founder, Brian Jones out. Jones eventually died under mysterious circumstances. An investigation into his death has recently been reopened. Jones was replaced by Mick Taylor. For no apparent reason, Taylor quit in 1974 and was replaced by Ron Wood. Wood has been with the band ever since.

The Stones halcyon years ran from the Aftermath album of 1966 through their Exile on Mainstreet in 1972. However, they remained consistent hit makers into the early-to-mid eighties. Then, tensions between Mick and Keith blew the band apart. At Live Aid, Mick took the stage with Tina Turner while Keith (and Ron Wood) played with Bob Dylan.

In 1989, Mick and Keith made up and the band remerged with Steel Wheels. Once again, they scored a series of hit songs and records into the new millennium. During this renaissance period, bassist and band historian Bill Wyman retired. He was replaced by Darryl Jones. The Stones last album was released in 2005 and stirred some controversy with the song “Sweet Neo Con.” The album also produced a stripped down style which critics loved. In many respects, A Bigger Bang gave the public a glimpse at the sixties-era Stones. They are still together and their music and their image is something artists since from the sixties to today have tried to emulate.

Rock n Roll Moment: Keith Richards (yes that is all I am going to say)

Essential Stones:
The Rolling Stones Now! (1965)
Aftermath (1966)
Between the Buttons (1967)
Beggar’s Banquet (1968)
Let it Bleed (1969)
Sticky Fingers (1971)
Exile on Main Street (1972)
Some Girls (1978)
Tatoo You (1981)
Voodoo Lounge (1994)
A Bigger Bang (2005)

The Rolling Stone’s Top 10:
Satisfaction
Paint It Black
Let’s Spend the Night Together
Gimme Shelter
Jumpin’ Jack Flash
Honky Tonk Women
Brown Sugar
Tumblin’ Dice
Miss You
Start Me Up

Wednesday, October 21, 2009

#5 The Who

The Who were four distinctly different personalities that emerged from Shepherd’s Bush to become one of the greatest bands of all time. They were known for their energetically aggressive stage shows, innovative records, and attitude. Pete Townsend came from art school and was the band’s chief songwriter, conceptualizer, and world class guitarist. Roger Daltrey is one of rock’s greatest vocalists and front men. He’s a brawler and could probably still kick a 20 year old’s ass. John Entwhistle is rock’s greatest bassist and turned the bass guitar into a lead instrument. Keith Moon is rock’s greatest drummer and its court jester. The band came from the London Mod scene and were the antithesis of peace and love. Instead, they pioneered instrument destruction and stage mayhem. From “Can’t Explain” to “My Generation”, there was something different about The Who.

Imagine being a hippie at Monterey in 1967. The San Francisco sound dominated the Summer of Love and the Monterey Pop Festival. Then came The Who. They blew up the stage and probably frightened some hippies. Before going on, Pete Townsend and Jimy Hendrix fought over who would close. Neither one wanted to follow the other. They almost came to blows, but settled the dispute. Townsend won and Hendrix closed. Hendrix then expropriated Townsend's antics and took him one better.

After a couple of years, the band was at a crossroads. Where to go? Pete Townsend put together an ambitious project. It was the first rock opera, Tommy. The album was a smash and propelled the Who to superstardom. In 1969, they played Woodstock and The Who continued to record smash albums well into the seventies.

In 1978, drummer Keith Moon died. After Moon's death, the band lost its way. Pete Townsend went into a tailspin. Singer Roger Daltrey admits to doing things he had never done before. The band eventually dissolved in 1982. They reunited for Live Aid in 1985, for a tour in 1989, and for their induction into the Rock n Roll Hall of Fame. In 1996 and 1997, they got together to tour for their 70s classic, Quadraphenia. Then came the concert for New York following 911. They owned the show and reunited for good. On the eve of a tour, bassist John Entwhistle died. Roger and Pete have continued on and even recorded their first album since the early 80s.

Rock n Roll Moment: Keith Moon took a horse tranquilizer before a show and passed out on stage. The band invited a fan on stage to play the drums and The Who finished their set. He also got banned from the Holiday Inn after driving a car into the Flint Holiday Inn’s pool.

Essential Who:
My Generation (1965)
A Quick One (1966)
The Who Sell Out (1967)
Tommy (1969)
Who’s Next (1971)
Quadrophenia (1973)

The Who’s Top 10:

Can’t Explain
My Generation
A Quick One While He’s Away
I Can See For Miles
Pinball Wizard
Listening to You/See Me, Feel Me
Baba O’Reilly
Won’t Get Fooled Again
5:15
Who Are You?

Sunday, October 18, 2009

#7 Pink Floyd

Pink Floyd emerged in the sixties as the premier psychedelic space rock band. They were founded by Syd Barrett who was at the cutting edge of the psychedelic movement. The Floyd were known for their experimentation and trippy shows. Unfortunately, their leader succumb to mental illness and became less dependable. At one show, he acted normal during warm ups and then just stood and stared at the audience during the show. The band brought in David Gilmour to pick up the slack. Eventually, they stopped picking Syd up for shows.

Eventually, songwriting duties fell to Roger Waters. His vision led to Dark Side of the Moon, Animals, Wish You Were Here and The Wall. Waters’ philosophical and political outlook shaped Floyd albums. Waters’ dominance did not occur overnight. It was gradual and eventually annoyed the band. By the time The Wall was released, they were one of the biggest artists on the planet. Waters’ head was the size of the Earth and he commandeered the band. He went as far as firing founding member Richard Wright. It had become a dictatorship. The band revolted and David Gilmour took over.

Roger Waters’ dissolved Pink Floyd and declared the group “a spent force.” However, Gilmour, Wright, and drummer Nick Mason decided otherwise. For the first time since the mid seventies, the whole band had input in Floyd. They recorded and toured without Waters. This led to a series of lawsuits and squabbles in the press. While Gilmour’s Floyd filled stadiums, Waters played to audiences of 1500. The band toured for the last time in support of 1994’s Division Bell album. They reunited in 2005 for Live 8. In 2006, Syd Barrett died and Richard Wright followed in 2008.

Rock n Roll Moment: David Gilmour and Roger Waters engaged in rock’s greatest feud.

Essential Floyd:
Pipers at the Gates of Dawn (1967)
Meddle (1971)
Dark Side of the Moon (1973)
Wish You Were Here (1975)
The Wall (1979)

Floyd’s Top 10:
Arnold Layne
Astronomy Domine
Echoes
Time
Money
Us and Them
Wish You Were Here
Another Brick in the Wall
Comfortably Numb
Run Like Hell

Sunday, October 11, 2009

#9 Chuck Berry

Chuck Berry may be the inventor of Rock n Roll as we know it. Berry is considered one of rock’s greatest songwriters and guitarists. He successfully merged country storytelling with rhythm and blues to create his own unique sound. After contacting Chess Records, Berry cut “Maybelline” and his career and rock n roll itself exploded. Berry continued to pump out hits like “Johnny B. Goode,” “Rock n Roll Music,” “Sweet Sixteen,” and many others. In 1959, Berry was on top of the world when scandal hit and derailed his career. After a stint in prison, he returned to witness British Invasion artists covering his songs. Berry scored some more hits and then faded. However, his innovation, songwriting, guitar playing, attitude, and duck walk made Berry the first king of Rock n Roll.

Rock n Roll Moment: Berry hired a 14 year old runaway to work at his club. After being fired, she was arrested for prostitution. They tied the white girl to Berry and he was sent to prison for 5 years.

Essential Chuck Berry:
The Great Twenty-Eight (1982)
Hail! Hail! Rock n Roll (1987)

Chuck Berry’s Top 10:
Maybellene
Roll Over Beethoven
Brown Eyed Handsome Man
School Days
Rock n Roll Music
Johnny B Goode
Back in the USA
My Ding-a-Ling
Thirty Days
Too Much Monkey Business

 



 

Wednesday, October 7, 2009

#10 Buddy Holly

Buddy Holly was a rock pioneer. He was one of the first professional singer/songwriters in rock n roll and one of the first to use advanced (for the time) recording techniques. One rock historian declared Holly the most “influential creative force in early Rock n Roll.” Holly’s influence on popular music can not be overstated. Although his success lasted 18 months, his songs and recording techniques influenced The Beatles, The Rolling Stones, Bob Dylan, and The Beach Boys. Additionally, Holly’s clean cut image insulated him from the scandals surrounding other rock stars and probably would have made him a force in music well into the 60s. It would have been interesting to see if Beatlemania would have struck with the force it did with Buddy Holly entering his prime. Holly died in a plane crash at 23.

Rock n Roll Moment: Many rock stars have died in plane crashes. Buddy Holly was the first. He died along with Richie Valens (La Bamba) and The Big Bopper (Chantilly Lace).

Essential Buddy Holly:
The Chirping Crickets (1957)
Buddy Holly (1958)

Buddy Holly’s Top 10:
Oh Boy!
Not Fade Away
Maybe Baby
That’ll Be the Day
Peggy Sue
Words of Love
Rave On!
It’s So Easy
Peggy Sue Got Married
Raining in My Heart

 

Wednesday, September 30, 2009

#11 Jimy Hendrix

Jimy Hendrix is rock’s greatest guitarist. He became the most influential musician of the rock era. Despite this, he had problems breaking into the American market and even opened for The Monkeys. Lack of success in the states sent him overseas. His career took off in Europe. It was not until the Monterey Pop Festival that his career took off in the United States. By 1969, he was headlining Woodstock.

Hendrix became infamous for his sexually charged stage performances and the use of feedback which had previously been seen as undesirable. Hendrix overdosed in September, 1970 and became even bigger in death. He’s now an icon and legend. Hendrix, Janis Joplin, Brian Jones, Jim Morrison, Robert Johnson, Peter Ham, Pigpen, and Kurt Cobain are all members of the 27 club. Those are artists that died at age 27.

Rock n Roll Moment: At the Monterey Pop Festival, Hendrix and The Who’s Pete Townsend had a friendly rivalry. The Who blew up the stage. Hendrix followed that by humping the amps and setting his guitar on fire.

Essential Hendrix:
Are You Experienced (1967)
Axis: Bold as Love (1967)
Electric Ladyland (1968)

Jimy’s Top 10:
All Along the Watchtower
Purple Haze
Fire
The Wind Cries Mary
Hey Joe
Manic Depression
Foxy Lady
Castles Made of Sand
Are You Experienced?
Crosstown Traffic

#12 The Clash

The Clash were among the first wave of British punk that emerged in the mid-seventies. Their first album, The Clash, was an instant smash and propelled them to stardom. They were different than their punk brethren in two major ways. First, they were neither anarchists nor nihilists. Instead, the incorporated leftist politics into their music. Second, they branched out beyond punk and included Ska, Reggae, Funk, Hip Hop, and Rockabilly into their music.

All the these elements were in place by their third album, London Calling. This post-industrial apocalypse is considered the greatest album of the eighties. It also opened the American market up for The Clash. By 1983, they were one of the biggest bands on Earth, toured with The Who, played Shea Stadium, and were considered “The Only Band that Mattered.” Inner tensions eventually broke the group apart and they were done by the mid-80s.

After the breakup, Mick Jones formed the successful band, Big Audio Dynamite. In 2008, Jones formed Carbon Silicon. Joe Strummer struggled with the breakup, did some movie work, and eventually returned to music with Joe Strummer and the Mescaleros. Rumors of a Clash reunion began around 2000. In 2002, the band was elected to the Rock and Roll Hall of Fame and considered reuniting to celebrate. However, Strummer died of an undiagnosed heart condition in 2002.

Rock n Roll Moment: The band demanded the record company offer the 3 album Sandinista! be offered at a fan friendly price.

Essential Clash:
The Clash (1977)
London Calling (1979)
Sandinista! (1980)

The Clash’s Top 10:
Complete Control
Career Opportunities
White Riot
English Civil War
London Calling
Train in Vain
The Guns of Brixton
Should I Stay or Should I Go?
Rock the Casbah
Know Your Rights