Showing posts with label Peter Gabriel. Show all posts
Showing posts with label Peter Gabriel. Show all posts

Tuesday, March 22, 2011

Top 200 Albums of All Time: G Artists

Peter Gabriel: So (1986)


Peter Gabriel decided to take a more commercial approach when writing So. Despite recording several radio friendly hits and filming breakthrough commercially successful videos, Gabriel also continued his unconventional career. While “Sledgehammer” and “Big Time” reflect eighties pop music perfectly, “Red Rain” and “Mercy Street” are far from commercial.

Key Tracks:

Red Rain
Sledgehammer
Big Time
In Your Eyes

What’s Going On: Marvin Gaye (1971)

Marvin Gaye shed Motown’s restrictions on social commentary and created an album examining society itself. Since other artists tapped into social issues for inspiration, Gaye felt free to investigate and question. Motown boss Barry Gordy refused to accept the material. Gaye stood his ground and the album was eventually released. Gaye’s lyrics tackle poverty, the Vietnam War, injustice, and drug use. Stylistically, each song leads into the next and the work ends with a reprise.

Key Tracks:

What’s Going On?
Mercy Mercy Me (The Ecology)
Inner City Blues

The Lamb Lies Down on Broadway: Genesis (1974)

The Lamb Lies Down on Broadway is a double concept album about a Puerto Rican youth swept into the New York City underground to battle monsters in a quest to save his brother. Although the character is searching for his brother, he is also searching for himself.

Key Tracks:

The Lamb Lies Down on Broadway
The Carpet Crawlers
In The Cage

Abacab: Genesis (1981)

Genesis began as a progressive rock act. As the musical scene changed and members departed, the band moved toward a more commercial sound. The transformation began with their previous album Duke and continues into Abacab. As a result of their efforts, Genesis scored their first platinum selling album in America and four hit singles.

Key Tracks:

Abacab
No Reply At All
Man on the Corner
Keep it Dark

Dookie: Green Day (1994)

Dookie reintroduced many Americans to punk rock. The album’s popularity with radio friendly songs provided some controversy as many in the punk community believed the band sold out.

Key Tracks:

Longview
Welcome to Paradise
Basket Case
When I Come Around

American Idiot: Green Day (2004)

For a time, it appeared Green Day had faded. After some inspiration from the headlines, The Who, and some imagination, the band produced American Idiot. Ironically, the album was almost never made. Originally, they began work on another project when the masters were stolen. Rather than re-record, they decided to start over with a rock opera covering the story of an American anti-hero.

Key Tracks:

American Idiot
Jesus of Suburbia
Holiday
Boulevard of Broken Dreams
Wake Me Up When September Ends

Appetite for Destruction: Guns n Roses (1987)

With over 28 million in sales, Appetite for Destruction is the greatest selling debut in history. At a time in which radio was filled with hair metal and candy pop music, Guns n Roses provided an alternate vision. The dirty, gritty album describes descent into drug and substance abuse. The seminal album provided a jump start to rock music which lasted into the mid-nineties.

Key Tracks:

Welcome to the Jungle
It’s So Easy
Paradise City
Sweet Child o’ Mine
Mr. Brownstone

Use Your Illusion I: Guns n Roses (1991)

Although some of the early vinyl releases came together, Use Your Illusion I and II are not double albums. The band recorded so much material, they released two albums. Use Your Illusion showed an expansion in Guns n Roses’ music. They incorporated classical, blues, country, and progressive into their repertoire.

Key Tracks:

November Rain
Don’t Cry (Original)
Dust n Bones
Right Next Door To Hell

Use Your Illusion II: Guns n Roses (1991)

Use Your Illusion II debuted at #1 when released. The album was slightly more popular than its counterpart due to the inclusion of familiar radio songs. GnR’s “Knockin’ on Heaven’s Door” received radio play for a couple years before release. “You Could Be Mine” appeared on the Terminator II soundtrack. Despite this, Use Your Illusion I is the stronger album.

Key Tracks:

Civil War
Yesterdays
Pretty Tied Up
Estranged
You Could Be Mine

Thursday, April 22, 2010

More Rock n Roll Hall of Fame Worthy Acts

A month or so back, I listed the Top 10 most deserving acts not in the Rock n Roll Hall of Fame (See: http://cicero390.blogspot.com/2010/03/rock-n-roll-hall-of-fame-generally-does.html).  Some folks grumbled about missing acts...so, here is the first installment of acts that could make an argument for induction. I listed the pros and cons for each. They are in alphabetical order.

This is just the first installment...more to follow later.

Joan Baez


Pro: At the forefront of 60s music, iconic Woodstock moments, master interpreter of music

Con: Folk artist, known for doing other people’s work.

Bon Jovi

Pro: Best of the 80s hard rock bands and the hall likes to include one of every genre, tons of hits and sales, ability to adapt, still making hits today.

Con: They came from the 80s, not many people list them as an influence

Cheap Trick

Pro: Influential, original

Con: Not a ton of hits, so not top of mind

Chubby Checker

Pro: Ushered in a dance craze, “The Twist” and its sequel song, did branch out to other genres

Con: Typecast by The Twist

Phil Collins

Pro: Crap load of hits, influential, great drummer

Con: Lots of love songs, might be too poppy, already in with Genesis

The Cure

Pro: Unique, Influential

Con: Ironically, may not be commercial enough, so not top of mind

Dick Dale

Pro: King of Surf Guitar, At forefront of the genre, Experimented with reverb and other technical aspects of guitar

Con: Disappeared for awhile, genre was very short-lived

Def Leppard

Pro: Along with Bon Jovi, best representative of 80s hard rock, massive success, biggest act of the 80s other than Michael Jackson, unique live shows in the round, influence can be heard in other acts today

Con: Lumped with hair metal, a lot of their stuff sounds alike

Neil Diamond

Pro: Prolific Brill Building song writer, other acts recorded his songs before he branched out, he’s immensely popular and has oodles of hits.

Con: There is a cheese factor and he is considered A.C. as opposed to rock.

Dire Straits

Pro: Mark Knofler, great guitar work, solid music, huge in the 80s

Con: Not top of mind

The Dominoes

Pro: Important Doo wop group from 50s

Con: Important Doo wop group from the 50s

Duran Duran

Pro: Massively popular 80s band; great representatives of that post punk New Wave sound

Con: 1980s; seen as pretty boys

Peter Gabriel

Pro: Unique and popular

Con: Weird, already in with Genesis

Sammy Hagar

Pro: Classic rocker representing multiple genres

Con: Already in with VH, influence outside VH is probably minimal

Merle Haggard

Pro: He is more Rock n Roll than most Rock artists, Cash is in

Con: He’s country with little to no crossover

Sunday, January 4, 2009

#80: Genesis

Genesis

How many groups lose their lead singer, change their style, remain relevant, and become more popular? Genesis pulled this off. Their original lineup consisted of Peter Gabriel, Steve Hackett, Tony Banks, Michael Rutherford, and Phil Collins. No one knew how to classify them exactly. Their first album ended up in the gospel section. They began to gain attention when Peter Gabriel began dressing up in bizarre costumes. The Lamb Lies Down on Broadway, a concept album about a Puerto Rican youth’s quest for his own self identity, marks the high point of the Gabriel years. Soon after, Gabriel left the band for personal reasons.

Steve Hackett was the next to go. Hackett was an accomplished guitarist that actually did the Van Halen fingertap before Eddie Van Halen. Then there were three. The band began a transition to pop music with songs like Follow You Follow Me and Misunderstanding, while still doing the Prog Rock thing (Abacab, Home By The Sea).

By the mid-80s, they were a pop trio. Their greatest success was their poppyiest album; Invisible Touch. After a hiatus to do solo work, they came back in 1991 with We Can’t Dance. That album was less pop and covered some weightier material such as organized religion and child abuse. In 1996, Phil Collins left the band. Banks and Rutherford found another singer and they released a pure Prog album. It tanked and Genesis disbanded until 2006. In 2007, VH-1 honored them and they put on a world tour. Phil Collins has stated a new album was unlikely, but Tony Banks has contradicted this and even dropped hints of a reunion with Peter Gabriel.

Rock n Roll Moment: Peter Gabriel dressed up as a flower during a performance.

Essential Genesis: The Lamb Lies Down On Broadway (1974), Duke (1980), Genesis (1983), Invisible Touch (1986), We Can’t Dance (1991)

Genesis Top 10:
I Know What I Like (In Your Wardrobe)
The Carpet Crawlers
Turn It On Again
Misunderstanding
Abacab
Mama
That’s All
Invisible Touch
Land of Confusion
No Son of Mine