Showing posts with label Alternative Music. Show all posts
Showing posts with label Alternative Music. Show all posts

Monday, March 26, 2012

Top 200 Albums of All Time: Weezer

Weezer: Weezer (1994)
Weezer’s debut is a masterpiece of 90s alt rock. Since its release, the album has grown in stature and is now considered one of the great albums of the decade. Rivers Cuomo’s playing on the album is unique for the period. At the time, he was one of the few not copying Eddie Van Halen or grunge.

Pinkerton: Weezer (1996)
Originally, Cuomo wanted to create some sort of space opera, but he scraped it for the painkiller induced Pinkerton. The Weezer front man had leg surgery and wrote the album under the influence. At the time, no one understood the album and it was a disappointment. Fifteen years later, no one understands the album and it is considered artistic genius!

Wednesday, January 4, 2012

Top 200 Albums of All Time: R.E.M.

Murmur: REM (1983)
Fans joked that Murmur should have been titled mumble. The album introduced the world to Michael Stipe’s cryptic and at times undecipherable lyrics and Peter Buck’s jangly guitar sound. The album helped kick off college rock and began the steady build to the alternative revolution of the early 1990s.

Key Tracks:
Radio Free Europe
Talk About the Passion
Perfect Circle
Pilgrimage

Document: REM (1987)
R.E.M. toyed with breaking through to the mainstream prior to Document. However, this album brought commercial success and a platinum certification. Despite the breakthrough with songs such as “The One I Love” and “It’s the End of the World as We Know It (And I Feel Fine)”, the band stayed true to itself with such tracks as “Welcome to the Occupation”, “Exhuming McCarthy”, and “Disturbance at the Heron House.”

Key Tracks:
Finest Worksong
Welcome to the Occupation
Disturbance at the Heron House
It’s The End of the World As We Know It (And I Feel Fine)
The One I Love

Automatic for the People: REM (1992)
Out of Time made R.E.M. unlikely rock royalty. The band planned to follow up the folksy sounding multi-platinum monster with a rock album, but abandoned the project. Instead, they teamed with John Paul Jones to craft a subdued album based on mortality. The result, Automatic for the People, and its themes of lost youth and death, has stood up well over two decades and is one of the finest albums of the period.

Key Tracks:
Drive
Try Not to Breathe
Everybody Hurts
Man on the Moon
Nightswimming
Find the River

New Adventures in Hi-Fi: REM (1996)
After releasing their own “grunge” album with Monster, R.E.M. created perhaps the most underrated album in music history. Many of the songs were written and perfected while touring, which is perhaps why some of the tracks deal with travel. Interestingly, the album did not do as well as prior R.E.M. efforts. In hindsight, the decline of the record industry may have actually begun just prior to Napster and the download craze of the late 1990s.

Key Tracks:
Electrolite
Binky the Doormat
Bittersweet Me
E-Bow the Letter

Wednesday, December 7, 2011

The 200 Greatest Albums of All Time: "R" artists


OK Computer: Radiohead (1997)
Few bands can get away from changing their sound. Fans and critics excoriated U2 when they turned to electronic music. On the other hand, Radiohead enhanced their reputation with OK Computer. They used a wide range of influences to craft the album and moved away from more guitar-driven tracks. Now, the work represents a transition to Radiohead’s later efforts.

Key Tracks:
Paranoid Android
Karma Police
No Surprises

Kid A: Radiohead (2000)
Kid A lacked a lead single, but still went platinum in a week. The band decided to market the album with a coordinated internet leak, which built anticipation. Musically, Radiohead incorporated jazz, classical, and Krautrock and mixed it with more abstract concepts and lyrics. It is amazing the album experienced any success at all and did not kill Radiohead’s career.

Key Tracks:
Everything in the Right Place
The National Anthem
Optimistic
Idioteque

Rage Against the Machine: RATM (1992)
Rage Against the Machines’ freshman effort is considered one of the heaviest albums ever recorded. In addition to the musically hard edge, the songs all contained leftist political messages. Maynard from Tool provided guest vocals on “Know Your Enemy” and has been known to join the band onstage to perform the song.

Key Tracks:
Bombtrack
Killing in the Name
Bullet in the Head

The Ramones: The Ramones (1976)
By 1976, rock appeared to be dying. With the exception of Springsteen, whom some consider the genre’s savior, disco and pop fluff dominated the music scene. In 1976, the punks returned rock n roll to its roots. The Ramones led the charge. Although their sound was reminiscent of the fifties, their attitude and subject matter led to the punk label. The Ramones established the genre and later popularized it.

Key Tracks:
Blitzkrieg Bop
I Wanna Be Your Boyfriend
Judy is a Punk
Now I Wanna Sniff Some Glue

Blood Sugar Sex Magik: Red Hot Chili Peppers (1991)
Rick Rubin produced and guided the Red Hot Chili Peppers throughout the making of Blood Sugar Sex Magik. Critics praised Rubin for steering the band away from a more metal sound and refocusing their energies. “Under the Bridge” made the band superstars and recounted lead singer Anthony Kiedis’ drug addiction. Drugs, death, lust, and sex provided the album’s themes which played well during the alternative explosion of the early 1990s.

Key Tracks:
Give it Away
Under the Bridge
Suck My Kiss
Breaking the Girl

Sunday, May 23, 2010

The 10 Greatest Albums of the 80s

Not in any particular order...

Thriller- Michael Jackson (1982): It's now fashionable to claim Off the Wall was better, but those folks are on crack. This was a monster that opened doors for black artists and changed pop music. Today's hip hop, pop, and rap are all influenced by Thriller. No Thriller, no Hip Hop and today's pop is different.

Purple Rain- Prince (1984): For a time, people asked "Michael Jackson or Prince?"

The Joshua Tree- U2 (1987): U2 went in a totally different direction than everyone else in the mainstream with Joshua Tree. It was a rejection of plastic modern society and is probably more relevant today than in 1987.

Raising Hell- Run DMC (1986): Rap comes to the suburbs. Blondie introduced it to white America, Grandmaster Flash brought the streets to MTV, but Run DMC brought Hip Hop to the forefront and legitimized it. Although MC Hammer and Vanilla Ice made it mainstream, Run DMC became the first to explode onto the scene.

Appetite for Destruction- GnR (1987): Like U2, Guns n Roses took popular music in a radical direction in 1987. Unlike U2's examination of America and modern materialism, GnR took a darker approach and examined the underworld in a way no had since Exile on Mainstreet.

Back in Black- AC/DC (1980): AC/DC somehow survived the death of Bon Scott and turned that loss into one of the greatest tribute albums ever.

Born in the USA- Bruce (1984): Just about every song on this album became a hit. Bruce became a phenomenon and the embodiment of America. No one bothered to listen to the lyrics of the title track...

Murmur- REM (1983): While pop music was heading in multiple directions during the eighties including hair metal, new wave, hip hop, and some groups which defied categorization (Huey Lewis was played on rock stations that would follow Heart of Rock n Roll with Led Zeppelin), R.E.M. ushered in the alternative movement. Murmur represented an attempt to get back to basics and bring fresh rock n roll back to an audience.

London Calling- The Clash (1980): The west appeared on the verge of utter collapse in the late seventies. High unemployment, stagnant economies, and disheartened populations wanted to go to the disco. London Calling reflects the postwar apocalypse that hit during the seventies. Despite the coming ice age and sun zooming in, the album ends on an uplifting note with "Train in Vain."

Synchronicity- The Police (1983): Synchronicity made the Police the biggest band in the world. The album and its songs was omnipresent from summer of 1983 and into 1984. "Every Breath You Take" is one of the songs that defined the eighties.

Saturday, May 1, 2010

My Favorite Albums from the 1990s

Actung Baby- U2 (1991)

Ten- Pearl Jam (1991)

Vs.- Pearl Jam (1993)

Monster- REM (1994)

Automatic for the People- REM (1992)

New Adventures in Hi-Fi- REM (1996)

Metallica- Metallica (1991)

Use Your Illusion I and II- Guns n Roses (1991)

From the Cradle- Eric Clapton (1994)

For Unlawful Carnel Knowledge- Van Halen (1991)

Singles Soundtrack (1992)

Friday, April 30, 2010

Albums of the 90s

Here are the top 10 albums of the 1990s. Basically based on impact. Interestingly, six of the ten came out in 1991 or 1992. They are not listed in any particular order. These are not necessarily my favorite albums. Too lazy to do write-ups...if questions, ask or look it up...

Nevermind- Nirvana (1991)

Ten-Pearl Jam (1991)

Ok Computer- Radiohead (1997)

Automatic for the People- REM (1992)

Actung Baby- U2 (1991)

The Chronic- Dr. Dre (1992)

Metallica- Metallica (1991)

Jagged Little Pill- Alanis Morrisette (1995)

Unplugged- Nirvana (1994)

The Miseducation of Lauryn Hill (1998)- And then she went crazy...

Monday, April 26, 2010

Rock and Roll Hall of Fame Worthy Acts Part IV

Here is the final installment.

The Smiths


Pro: Unique, massively popular, influential, there is even a great feud

Con: 1980s band

Steppenwolf

Pro: Hitmakers, generation defining song in “Born to be Wild”

Con: Canadian, Born to be Wild is a bit cliché

Sting

Pro: Incorporates Jazz and other influences, tons of hits, he is Sting

Con: Influence is with the Police, at times pop and at times jazz rock, Already in with the Police

The Stray Cats

Pro: Brian Setzer is a great guitarist, unique, influence, important songs, more than a throwback act

Con: From the 80s, not top of mind

Donna Summer

Pro: Mixed rock with disco

Con: She’s the disco queen

Stevie Ray Vaughn

Pro: One of the greatest guitarists ever

Con: Died in 1989

Hank Williams Jr.

Pro: Influential in rock circles, crossover act

Con: Country star

Yes

Pro: Archetype Prog band, survived many changes, blended classical music into rock

Con: They are a prog band, not a lot of hits

Warren Zevon

Pro: No one sounded or wrote like Warren Zevon, influenced and worked with Bruce Springsteen, David Letterman, and REM, and influenced Kid Rock among others, Great writer

Con: His stuff might be too out there

Sunday, February 21, 2010

My Favorite Aught Albums

Overall a weak decade...

Audioslave- Audioslave (2002)

All That You Can’t Leave Behind -U2 (2000)

How to Dismantle an Atomic Bomb- U2 (2004)

The Rising- Bruce Springsteen (2002)

Magic- Bruce Springsteen (2007)

American IV: The Man Comes Around -Johnny Cash (2002)

American Idiot-Green Day (2004)

Gladiator Soundtrack (2000)

Welcome Interstate Managers-Fountains of Wayne (2003)

Have a Nice Day- Bon Jovi (2005)

Nostradamus- Judas Priest (2008)

Thursday, February 18, 2010

Albums of the Decade: The Aughts

Here are ten of the most important albums to be released from 2000-2009. They are arraigned chronologically.

The Marshall Mathers LP- Eminem (2000): Hip Hop had gone stale and then Eminem came along. Ten years later, Hip Hop is once again stale.


Kid A- Radiohead (2000): It took less than a week for Kid A to go platinum. Would not be an accurate list without Radiohead.


U2- All That You Can’t Leave Behind (2000): U2 decided to get out of electronic music and return to form. The end result was a monster.


Songs in A Minor- Alicia Keys (2001): Keys mixed blues with jazz and R&B. The comparisons to Prince, Stevie Wonder, and Billie Holiday followed.

American IV: The Man Comes Around- Johnny Cash (2002): This album signalled the greatest comeback in music history. All of a sudden, a 70-year-old was a superstar once more.


A Rush of Blood to the Head- Coldplay (2002): After this album, they were being compared to U2. This made Rolling Stone's 500 Greatest Albums of All Time.


The Rising- Bruce Springsteen (2002): Reinvigorated after a decade of experimentation, Springsteen returned with one of his strongest albums ever harkening back to his 80s glory.

Elephant- The White Stripes (2003): Garage rock lives! The White Stripes are one of the last of the rock bands.


American Idiot- Green Day (2004): American Idiot is probably the album of the decade. Green Day really connected to its audience as well as the zeitgeist of mid-decade America.


Magic- Bruce Springsteen (2007): This is generally considered the best (or second best) album of 2007. The album is about disillusionment with society, condemns the Iraq War, and could almost be a companion piece to American Idiot.

Sunday, February 7, 2010

Riffs of the Decade: 2000-2009

Here are the best riffs of the decade. This is one of the few posts I actually had to research! Interestingly, the best known riff of the decade was probably a piano riff. Coldplay's "Clocks" became omnipresent and iconic during the aughts especially when the media needed some background music for a story. The riff is not as important to music as it used to be. Perhaps all the great riffs have been written.

Here are the riffs of the decade:

Kryptonite- 3 Doors Down

Judith- A Perfect Circle

Cochise- Audioslave

Suicide Messiah- Black Label Society

The Pretender- Foo Fighters

Take Me Out- Franz Ferdinand

American Idiot- Green Day

Horseshoes and Hand Grenades- Green Day

Sleep Now in the Fire- Rage Against the Machine

Vertigo- U2

Slither- Velvet Revolver

Seven Nation Army- White Stripes

Sunday, January 24, 2010

Most Liberal Songs of All Time

American Idiot- Green Day: The song is about the brain dead public going along with the Iraq War.

Beds Are Burning- Midnight Oil: Beds Are Burning is more Euro-focused. Essentially, the West raped and pillaged the third world and now it is time to make amends.

Fight the Power- Public Enemy: The title could lend itself to any ideology. However, this is geared toward militant revolution. The power is society itself and that needs a fundamental transformation.

Fortunate Son- Creedence Clearwater Revival: Fortunate Son is the best of the Vietnam Era anti-war songs. The song tells the story of a man that is not fortunate enough to be born into wealth and privilege and thus can not escape the draft. The song was resurrected during the Iraq War as many tried to paint Bush as the fortunate son.

Fuck the Police- NWA: The title says it all.

Imagine - John Lennon: Lennon’s masterpiece is generally considered a left wing anthem. Although, Lennon was a leftist agitator at times, the song itself ponders a world where everyone can get along. What strikes many as uber-liberal is Lennon’s imagining no religion and no countries. To some, this smacked of Marxist Revolution.

Another Pleasant Valley Sunday- Carole King: The Monkeys made this famous. The song is about conformity and modern life. It’s about how the American dream can become the American nightmare. Instead of enjoying life, people have to keep up with the Joneses and maintain status.

Sleep Now In The Fire- Rage Against The Machine: Rage takes on capitalism, religion, history, genocide, and imperialism. Michael Moore directed the video filmed at Wall Street. The band’s ideology is simple and the song’s understanding of history is clearly lacking. On the other hand, the riff is as good as it gets.

This Land is Your Land- Woody Guthrie: This is the 1930s version of “spread the wealth around.”

War Pigs- Black Sabbath: The song originally was going to be about the witches’ sabbath. However, the band changed the term “Walpurgis” to War Pigs and an anti-war song was born. The song re-emerged during the last decade as some radio stations decided to protest the Iraq

Friday, December 18, 2009

Songs of the Year 2009

Here is my list of songs of the year. I tried to go with a variety of genres as opposed to whatever I liked…

Check My Brain- Alice in Chains: It’s 1995 again. The 90s are making a major comeback. We seem to have jump skipped right over the 80s and right to the flannel.

East Jesus Nowhere- Green Day: If you are religious, this is not for you. Green Day goes off on organized religion and sings “of blasphemy and genocide.”

I Got a Feeling- Black Eyed Peas: They had quite a year. This song touched a chord. The basic premise is everyone is stressed, so let’s spend all our money and drink.

(If You're Wondering If I Want You To) I Want You To- Weezer: Classic Weezer.

Mean Old Man- Jerry Lee Lewis: Jerry Lee covers Kris Kristofferson and still sounds good.

No Rest for the Wicked- Cage the Elephant: Everyone has heard this one even if they don’t know it. It’s appeared in a few commercials. Interesting that a bunch of white guys around 20 are the ones doing the Mississippi Delta thing.

Oh Yeah- Chickenfoot: Sammy Hagar, Michael Anthony, Joe Satriani, and Chad Smith bring back 80s hard rock. Since they are the only ones doing it, they had a hit record.

Outlaw Pete- Bruce Springsteen: Bruce channels old school cowboy tales into an 8 minute epic.

That’s Not My Name- The Ting Tings: This reminds me of “Mickey” from the early 80s. Who hasn’t forgotten a girl’s name the morning after?

Uprising- Muse: Muse brings back the synthesizer and sings about rebellion. This should be the Tea Party Movement’s anthem. It’s a mishmash of everything that has come before and gets played as bumper music on every sporting event out there.

Wednesday, August 19, 2009

#25 Johnny Cash

Johnny Cash is considered the greatest Country artist of all time. However, he crossed over to Folk, Rock, Rockabilly, Gospel, Blues, and Alternative Rock. He is best known for his baritone voice and the chicka-boom guitar sound of the Tennessee Three. To save money on cleaning, the band wore black onstage which led to Cash’s moniker “The Man in Black.” Cash used that nickname and forged an outlaw identity which gave his music credibility.

Cash joined the Air Force in the early 50s. He worked intelligence and the service did not want him to go. Cash began writing songs at the time and decided to go into music and left the service. It took some doing, but Johnny won over Sun Records producer Sam Phillips and got a record deal. His first few songs were hits. Then came “Folsom Prison Blues” and “I Walk The Line.” Cash was now a star and toured with Elvis and Jerry Lee Lewis. The King, the Killer, and The Man in Black all appeared on the same bill.

Cash cultivated his outlaw image. In 1968, he visited Folsom Prison and cut a live record that outsold the Beatles. The next year, he did an album at San Quentin which included “A Boy Named Sue” which Cash spoke the lyrics to since he did not know them. Cash continued with the hits in the 60s including his biggest “Ring of Fire” and his duet with wife June, “Jackson.“ He landed his own TV variety show which featured acts ranging from Hank Williams Jr. to Bob Dylan to Eric Clapton. The show was a hit. His last major hit of the decade (and until the 90s) was in 1979 with “(Ghost Riders) in the Sky.” He floundered throughout the 80s (with the exception of the Highwayman project) and was released by his record label.

In the 90s, Johnny Cash met Rick Rubin. The two hit it off and Cash began releasing his “American Recordings” albums. Rubin restored the dark side of Cash and that connected with audiences. His concerts became populated by Gen X-ers and he returned to the top. In 2002, he released his mega hit album “American IV: The Man Comes Around” with its cover of Nine Inch Nail’s “Hurt.” Cash was back on top. He died in 2003 less than four months after June died. The following year, the biopic, I Walk The Line, was released and Rick Rubin continues to release Cash’s American Recordings.

Rock n Roll Moment: In 1965, Cash burned down a forest. It was an accident as his wheel bearing overheated on his truck. 508 acres went up. The government sued and won $125, 172. When confronted by a judge, Cash said, "I didn't do it, my truck did, and it's dead, so you can't question it."

Essential Cash:

The Fabulous Johnny Cash (1959)
Bitter Tears: Ballads of the American Indian (1964)
Sings Ballads of the True West (1965)
Folsom Prison (1968)
San Quentin (1969)
The Highwaymen (w/Kris Kristofferson, Willie Nelson, and Waylon Jennings) (1985)
Class of ‘55 (w/ Roy Orbison, Carl Perkins, and Jerry Lee Lewis) (1986)
American Recordings (1994)
American IV: The Man Comes Around (2002)

Johnny Cash’s Top 10:

I Walk the Line
Folsom Prison Blues
Ring of Fire
Hurt
Man in Black
A Boy Named Sue
Jackson (w/June Carter Cash)
Sunday Morning Coming Down
Get Rhythm
(Ghost) Riders in the Sky

Sunday, July 5, 2009

#38 The Velvet Underground

Although not commercially successful, the Underground is one of the most influential acts in history. In one sense, they were the American version of Pink Floyd. They loved experimentation and their music was nihilistic. They could be considered the first “Alternative” band long before R.E.M. created college radio. After the breakup, Lou Reed and John Cale experienced success as solo artists.

Rock n Roll Moment: The Velvet Underground were part of Andy Warhol’s underground art scene in the 1960s.

Essential Velvet Underground:


The Velvet Underground and Nico (1967)
White Light/White Heat (1968)
The Velvet Underground (1969)
Loaded (1970)

Velvet Underground’s Top 10:

Heroin
I’m Waiting for the Man
Sunday Morning
White Light/White Heat
Candy Says
Pale Blue Eyes
Sweet Jane
All Tomorrow’s Parties
There She Goes Again
The Black Angel’s Death Song

Thursday, June 25, 2009

#42 Nirvana

It’s hard to believe that Nirvana’s recording career lasted only 5 years. They released their debut, “Bleach” in 1989 and their final album, “Unplugged in New York”, came out in 1994. However, their impact was huge. Nirvana is considered the flagship band of Generation X. They just happened along at the right time. People were tired of the old 80s scene and were moving toward Hip Hop and Country. Then, “Smells Like Teen Spirit” came out and that spelled the end of the plastic 80s. Their album, “Nevermind” beat out Michael Jackson on the pop charts and quickly became the most important album in years. The band was not sure if they liked being successful and it took it’s toll on front man Kurt Cobain. In 1994, he committed suicide.

Rock n Roll Moment: Smells Like Teen Spirit launched the 90s Rock Revolution.

Essential Nirvana:

Bleach (1989)
Nevermind (1991)
In Uetero (1993)
Unplugged (1994)

Nirvana’s Top 10:

Sliver
Smells Like Teen Spirit
Come As You Are
Lithium
In Bloom
Heart Shaped Box
About A Girl
Pennyroyal Tea
All Apologies
Rape Me

Thursday, June 4, 2009

Green Day vs. Walmart

Why does Walmart refuse to sell CDs with explicit lyrics when they sell Rated "R" movies?

Wednesday, May 27, 2009

#50 Elvis Costello

Elvis came from the London pub scene. He combined rock with punk with new wave in creative ways. He has the ability to reinvent himself on a dime and is one of rock’s edgiest writers. Costello’s look has been described as a “menacing Buddy Holly.” His first great song , “Allison” is sarcasm wrapped in pop. Throughout his career, Costello has delved into soul, country, baroque, and politics. Recently, he toured with The Police.

Rock n Roll Moment: Elvis got banned from SNL in 1977. He was a last minute replacement for the Sex Pistols (visa problems-go figure). Instead of playing a song the record company wanted, Elvis broke into “Radio Radio” instead. For that, he was banned for a dozen years.

Essential Elvis Costello:

My Aim Is True (1977)
This Year’s Model (1978)
Armed Forces (1979)
Get Happy (1980)
Imperial Bedroom (1982)

Costello’s Top 10:

Alison
Pump It Up
Radio Radio
I Can’t Stand Up For Falling Down
Shipbuilding
Watching the Detectives
Accidents Will Happen
Peace, Love, and Understanding
Veronica
Oliver’s Army

Sunday, May 24, 2009

Rock Countdown Recap 51-100

51. The Yardbirds
52. George Harrison
53. Tom Petty and the Heartbreakers
54. Billy Joel
55. Paul McCartney
56. Paul Simon
57. CSNY
58. REM
59. Radiohead
60. Prince

61. The Sex Pistols
62. Aerosmith
63. Pearl Jam
64. Guns n Roses
65. Sly and the Family Stone
66. Bob Marley
67. Sam Cooke
68. The Grateful Dead
69. Wilson Pickett
70. Jeff Beck

71. Steely Dan
72. CCR
73. Blondie
74. Ozzy Osbourne
75. Rush
76. Bill Haley and The Comets
77. The Animals
78. Fats Domino
79. Dion
80. Genesis

81. Bon Jovi
82. Carlos Santana
83. ZZ Top
84. The Mamas and the Papas
85. Lynyrd Skynrd
86. Allman Brothers Band
87. Dire Straits
88. Judas Priest
89. Coldplay
90. Green Day

91. KISS
92. Smashing Pumpkins
93. Rage Against The Machine
94. Soundgarden
95. Motley Crue
96. Def Leppard
97. Weezer
98. Tool
99. Foo Fighters
100. Ringo

Sunday, April 26, 2009

#58 R.E.M.

R.E.M. was the moment alternative music appeared. Alternative rose from the ashes of punk and created an independent, less commercial sound. R.E.M. toured and recorded day after day for years. Eventually, they hit it big in 1987 with a dark and often misinterpreted “The One I Love.” They signed to Warner and in 1991, they became superstars with the folk song, “Losing My Religion.” This was the second nail in the hair metal coffin (the first being Welcome to the Jungle and the final nail being Smells Like Teen Spirit). It was also the opening volley in the 90s rock revolution.

They followed “In Time” up with an album about mortality. “Automatic For The People“ produced “Everybody Hurts” which has been named song of the year for 1993. This was followed by “Monster” and “New Adventures in Hi-Fi” and a slew of hits.

R.E.M. remained one of the biggest bands in the world for the rest of the decade. Drummer Bill Berry left the band after 1996’s “New Adventures in Hi-Fi” and the band changed their sound. Their popularity waned and they returned to their old sound with 2008’s “Accelerate.” In 2007, they were inducted into the Rock n Roll Hall of Fame.

Rock n Roll Moment: The now infamous Peter Buck air rage incident.

Essential REM:
Murmur (1983)
Reckoning (1984)
Fables of the Reconstruction (1985)
Document (1987)
Green (1988)
Automatic for the People (1992)
Monster (1994)
New Adventures in Hi-Fi (1996)
Accelerate (2008)

REM’s Top 10:

Radio Free Europe
The One I Love
It’s The End of the World as We Know It (and I feel fine)
Orange Crush
So. Central Rain (I’m Sorry)
Man on the Moon
Losing My Religion
Drive
Everybody Hurts
Driver 8