This is the second of three posts with "B" artists.
Slippery When Wet: Bon Jovi (1986)
Slippery When Wet transformed Bon Jovi from just another pop hair band into international superstars. The record differentiated Bon Jovi from its contemporaries with its level of musicianship and crossover ability. It sold over 12 million copies and is an album that helps explain the mid-to-late 80s to listeners. It transitions from arena rock to pop metal and even foresees the unplugged phenomenon of the early 90s. As most of their contemporaries disappeared in the early 90s, Bon Jovi proved adaptable and has continued to score hit records nearly 25 years later.
Key Tracks:
You Give Love A Bad Name
Livin’ On A Prayer
Wanted Dead or Alive
Never Say Goodbye
Boston: Boston (1976)
Boston’s debut album sold 17 million copies. Only Guns n Roses sold more debut records. The band went from unknown to stars literally overnight. They became a curiosity for their meteoric rise and began opening for Black Sabbath and Blue Oyster Cult. The album became a soundtrack for 1976 and various tracks still receive extensive radio play to this day. The record became one of several released during the period which convinced corporations to get involved in the music business. The end result being so-called “Corporate Rock.”
Key Tracks:
More Than A Feeling
Peace of Mind
Foreplay/Long Time
Space Oddity: David Bowie (1969)
Bowie mixes folk and prog rock together to create
Space Oddity. More than one critic has commented that the album represents where Bowie had been and where he was going. The album was inspired in part by the burgeoning space program and
2001: A Space Odyssey. At the same time, the album incorporates Bob Dylan, the Beatles, and Eastern religions and philosophy. The album may confuse less sophisticated listeners, but is well worth a twirl.
Key Tracks:
Space Oddity
Wild Eyed Boy From Freecloud
Cygnet Committee
Hunky Dory: David Bowie (1971)
Once again, Bowie mixes and combines musical styles to create a masterpiece. Bowie defines himself as well as the youth of his time and the music industry with “Changes.” In addition to this introspection, he borrows from Dylan, Nietzsche, and the Velvet Underground. Once again, he gives some insight into what would come with his future work.
Key Tracks:
Changes
Life on Mars?
Quicksand
Oh! You Pretty Things
Ziggy Stardust and the Spiders from Mars: David Bowie (1972)
David Bowie decided to create his own imaginary rock star. The character Ziggy Stardust is an alien that comes to Earth to present the planet with a message of peace and love. Ziggy falls to all the temptations including sex and drugs and is destroyed by rock excess. This album is the most creative and innovative of the period between the end of the sixties and the rise of disco.
Key Tracks:
Ziggy Stardust
Suffragette City
Starman
Rock n Roll Suicide
Heroes: David Bowie (1977)
The second, and best, of Bowie’s Berlin Trilogy (
Low and
Lodger) is the only one actually recorded there in its entirety. Bowie’s trilogy is influenced by Cold War Berlin and "Heroes" reflects the grit of the period. In fact, the studio sat 1500 feet from the Berlin Wall and Communist troops watched Bowie through binoculars. The album contains some dark and brooding pieces, but is downright cheerful compared to Low.
Key Tracks:
Heroes
Beauty and the Beast
Joe the Lion
Let’s Dance: David Bowie (1983)
David Bowie spent a decade as an artistic chameleon. By the early 80s, he decided to move into a pop direction and created an album to appeal to the masses. The end result was a monster album filled with catchy radio tunes.
Let’s Dance also featured an up and coming guitar hero in Stevie Ray Vaughan.
Key Tracks:
Modern Love
China Girl
Let’s Dance
Cat People
Live at the Apollo: James Brown (1963)
James Brown recorded
Live at the Apollo on October 24, 1962. Brown’s record label initially opposed releasing a live album. They felt an album lacking new material would not make money. However, Brown convinced them and the album was a smash. Stores could not keep the record on the shelves. The album represents a transition of old school R&B into soul.
Key Tracks:
I’ll Go Crazy
I Don’t Mind
Lost Someone
Buffalo Springfield Again: Buffalo Springfield (1967)
Personal problems surrounding Neil Young and Bruce Palmer created problems during the recording of
Buffalo Springfield Again. However, those problems may have helped the songwriting along. As a result, the band’s sophomore effort surpasses its debut effort.
Key Tracks:
Mr. Soul
Broken Arrow
Expecting to Fly
Rock n Roll Woman
Mr. Tambourine Man: The Byrds (1965)
The album Mr. Tambourine Man, along with the title track, provided an American alternative to the British Invasion. The Byrds combined the Beatles sound with American folk to create a new genre. The album contained both originals and reworked folk songs. Hence, the band helped pioneer the folk rock genre. The Byrd’s influence is heard in Simon and Garfunkel, The Mamas and the Papas, Jefferson Airplane, Tom Petty, Big Star, R.E.M., The Gin Blossoms, The Smiths, and many other artists.
Key Tracks:
Mr. Tambourine Man
All I Really Want To Do
The Bells of St. Rhymney
